Sebastian Estivill
Fluxum Temporis III
• Title of the work: Fluxum temporis III
• Artist: Sebastian Estivill
• Dimensions: 120 X 80 cm
• Technique: Oil on canvas
• Finished: 2026
• Location: Madrid, Spain (Artist 360 Madrid)
¿Qué es Fluxum temporis?
¿La percepción energetico - temporal de la conciencia?
Conciencia / Piloto:
La conciencia es la percepción de la realidad por medio del vehículo cuando es “impactado” por una onda de bosones de Highs. La conciencia “habita” en el punto donde la realidad física colapsa en la nulidad. (El punto O del Fluxum Temporis). La Conciencia es la comunicación instantánea entre la nulidad absoluta y la plenitud total. Existen niveles ontológicos de conciencia (NOC) diferentes. Los NOC perciben la realidad acorde a un espectro de percepción energético-temporal (Fluxum Temporis). Por lo que existen NOC sujetos a percepciones concretas cortoplacistas y en su opuesto percepciones abstractas largoplacistas. Cada NOC responde a inquietudes diferentes.
Fluxum Temporis:
Representación tridimensional de las interacciones energético-temporales perceptibles e imperceptibles por la conciencia humana. La representacion de Rn en R3. Dicho volumen se compone por una figura geométrica que tiende a la nulidad total (0) y a su vez tiende a la plenitud absoluta (∞ y/o 1). Ambas regiones son ligadas progresivamente por medio de un volumen energético representando la entropía. El Fluxum temporis puede ser interpretado por las interaciones energeticas a lo largo del tiempo. Por otra parte es un constructo humano o bien una tecnología semántica de percepción energético-temporal, por lo que el Fluxum temporis posee una serie de volúmenes internos referentes a los NOC. Por una parte existe una nube de eventos imaginables y contenida por ella, una nube de eventos posibles. Esto indica que el Fluxum Temporis posee capas de niveles de entropía diferentes.
¿Cuándo ocurrió el despertar de la conciencia?
Building the Ocean - Book 1 - P59
Certainly, the human experience of reality can share similarities with the narrative of this diagram. This leads me to think about the "cloud of the possible" and the "cloud of the imaginable." One envelops the other throughout all of life, or human experience. The information available to us throughout our lives is reorganized and reinterpreted within our temporal contexts, generating the cloud where the constructs of our imagination reside. Fascinated by these imaginary creations, we seek to manifest them in the tangible existential plane, and it is in this way that we foster the creation of the cloud of the possible. Our reality materializes in the plane of our present, eliminating all that could have been but wasn't. At the close of the present, the possible transcends into the cloud of the imaginable, and the real materializes. With each passing moment, we materialize a reality, and countless possibilities move from the possible to the imaginable. Memories of what could have been but wasn't.
Figura Fundamental V. 2020. Ink on paper. 18X 25 cm. Page 53 Vol 2 Building the Ocean.
The horizons of our perception
The world is a complex of endless beauty to discover. I seek to celebrate this beauty and portray the multiple languages that throughout the centuries express their experience in the ocean of reality.
I paint to venture in the understanding of reality. I craft maps to lose myself in the oils of the paintings I have created and those yet to come. I studied engineering to build bridges between the reality of sensations and the imagination. An attempt to softly fail in understand my environment and live in harmony within it. To paint for me is to discover and marvel from the energy exchange of it all. To observe the relationship between the living and their atmosphere, to contemplate the horizons of our perception and how to sail and flow within them.
I have painted a series of windows and mirrors to light up vast horizons. To discover how intertwined they are with all those who live, lived and the ones we yet to meet. By navigating through my paintings, you can decide how deep you are willing to venture into the void, disembark on the islands of your thoughts and guide yourself through the abysses of imagination. To lose yourself in the tempest of my colors so you can find yourself again.
It is for this reason that my work shows the symbols of maritime navigation as an analogy of what it means to be human. The great adventure of life that makes sense in the breath of art by sailing and flowing in the storms of entropy.
Building the Ocean - Book 1 - P56
Taking into account the elements mentioned in P6, P21, P54, and P55, we can generate a diagram that involves economic/energy exchanges in the past, present, and future. Furthermore, this diagram shows temporal recursion and the conical prediction cloud. This cloud is created at the origin of observation, located in the plane of the present, and manifests in the linear, directional perception of the temporal construct, thus creating the construct of the future. Finally, the cloud gradually collapses and closes at the origin of observation. The ambiguity of past events resides in memory, and the ambiguity of future events resides in the imagination, but both constructs reside in the human mind. This geometry proposes a symbiosis between time and energy, where the human perception of the past, present, and future constantly inhabits the "Fluxum Temporis" [t]. Humanity's limited perception imposes a unidirectional sense on the "Fluxum Temporis." Even so, it is not prudent to impose a meaning on that concept.
